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17/15
The fast-paced supernatural RPG, Breath of Death VII, is resurrected and remastered! Embark with our undead heroes on a bone-chilling post-apocalyptic adventure through an undead world, now more alive than ever, to uncover the mysteries of the past.
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33/30
When a man returns to his hometown on the beach in Australia, he is humiliated in front of his teenage son by a local group of surfers who claim ownership of the remote beach of his childhood. The film received a six-minute standing ovation at the 77th Cannes Film Festival… The story unfolds as Cage arrives at a beach that holds great meaning for him. But when he is ridiculed and forbidden from surfing there with his son, it sets off a series of events that gradually detach from reality and leave the audience questioning even the reality we are witnessing. One aspect I appreciate is the exploration of the sunk cost fallacy, the tendency to persist in an effort we have invested in even when the current costs outweigh the benefits. Having recently faced a similar decision, I understand how difficult it is to back down and accept defeat. Watching this in the GL Theater with Cage and the rest of the crew was a very enjoyable experience.😄
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46/11
A high-powered CEO (Nicole Kidman) puts her career and family on the line when she begins a torrid affair with her much younger intern (Harris Dickinson).
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14/35
Totsuko is a high school student who has the ability to see the “colors” of others. The colors of joy, excitement, and serenity, as well as one color she cherishes as her favorite. Kimi, a classmate at her school, exudes the most beautiful color of all. Although she doesn’t play an instrument, Totsuko forms a band with Kimi and Rui, a quiet music lover they meet at a used bookstore in a remote part of town. As they practice in an old church on a remote island, music brings them together, forming friendships and sparking affections. Will they discover their true “colors”?
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35/33
A Montana ranching family faces off against trespassers on their land… Forey J. as Lloyd.
John Dutton (Kevin Costner) often seems to “forget” his Montana accent and revert to his usual SoCal voice. (Review is for the first two seasons only) I went into this show not expecting to like it, but the plot, acting, and cinematography were excellent. It’s basically Montana mob wars (cowboys with guns on horseback while fishing) with the occasional giant dose of testosterone!
The show is at its best when the checkerboard of how the Duttons and their enemies connect. The show takes a hit early in the second season, but picks up again in the middle. Kelsey Asbill as Monica is the weakest link and plays a weak character, the plot is awkwardly thrown together and the acting misses the mark.
I think Cole Houser as Rip might be the strongest performance (besides Costner) and Rip looked forward to every scene. The plot is fast-paced and the visuals are beautiful. Just as Cormac McCarthy’s “All the Pretty Horses” was a bit more raw and brutal than the title suggests, this show strikes a similar chord.